Album Review: Girls on Grass – “Dirty Power” – September Gurl Music

Girls on Grass perform

Girls on Grass are actually only 50% girls but they are indeed smokin’. “Dirty Power” is the Brooklyn band’s second album – their self-titled debut having been released in 2015 with a slightly different lineup. The four-piece features songwriter Barbara Endes on lead vocals and guitar, drummer Nancy Polstein, and “two guys named Dave” (Mandl on bass and on Weiss guitar).

Girls on Grass deliver a sound that combines country surf rock with indie pop. Think Boston’s Dumptruck meets The Smithereens with Southern Culture on The Skids, after the Indigo Girls’ Amy Ray has a fistfight with Lucinda Williams.

 

Dirty Power Cover
Dirty Power Cover

“Dirty Power” features eleven tracks, two of which are instrumental, and deals with themes of love, politics and the grind of 21st-century life. Opener “Down At The Bottom” with its video shot in Coney Island gives the middle finger to the NYC A-type personality with Endes evincing us to come hang out with the “losers” instead. “Commander in Thief” is an ode to the current POTUS, swaggering along with pointed guitars and equally pointed lyrics sung in the first person – “I’m gonna take you down with me/the regular rules don’t apply/I come from superior genes/we’re all in this for the money.”

Endes has a way with lyrics that tell a great story with a fuck-you attitude and a side-order of humor. “Street Fight” describes jostling for position in traffic, which we can all relate to, with a “get out of my damn way” all-or-nothing mission; the jangle country rock of “Got to Laugh to Keep from Crying” opens with the line “who played who?” and continues with “left my man for a woman who looks like Aimee Mann.” Whoever the man was, he got owned, and Endes lets you know it.

Despite being lyrically strong, the album doesn’t suffer from the instrumental tracks as being mere afterthoughts. “Two Places At Once” cleverly pans dueling electric guitars left and right as if Duane Eddy took the Devil down to Georgia, while “Asenio” simply offers to take us surfing.

To bring “Dirty Power” to life, Girls on Grass pulled out all the stops and assembled a top-flight recording team. It was recorded at Greenpoint’s fabulous Cowboy Technical Services and produced by Eric “Roscoe” Ambel (the Del-Lords, Roscoe’s Gang). Ambel has worked with everyone from the Bottle Rockets to Steve Earle to Run-DMC. The album was engineered by Mario Viele (Squirrel Nut Zippers, Ollabelle, Los Lobos) and mixed by Michael James (Hole, L7, Reverend Horton Heat). Grammy-winning mastering engineer David Donnelly, whose washing-list of credits include Chicago and Aerosmith, added the final polish. The end-result is that “Dirty Power” does justice to the band, their playing and their songs, delivering a fine album that should equally appeal to college radio and country rock audiences.

 

Author


Discover more from Red Hook Star-Revue

Subscribe to get the latest posts sent to your email.

Share:

Facebook
Twitter
LinkedIn

Comments are closed.

READ OUR FULL PRINT EDITION

Our Sister Publication

Most Popular

On Key

Related Posts

MUSIC: Wiggly Air by Kurt Gottschalk

When 14th Street was Cooler. Back in the deep, dark ’90s, before the Meatpacking District was home to the Highline and the Whitney Museum and the Apple Store, West 14th Street housed one of the city’s great venues for music outside the norm, one that history seems to have left behind. The Cooler was a big, old, retrofitted, basement meat

You can find community at the Gowanus Wine Merchants

Entering Gowanus Wine Merchants at 493 3rd Ave. feels almost like entering a home. There are many types of wines and spirits from various regions, and each bottle has a handwritten note on it providing details about the wine. There are also treats and bowls for dogs, and toys for children. Enrique Lopez opened the shop in 2012 with a

Long-awaited report card shows improvement needed on rezoning commitments

The Gowanus Oversight Task Force (GOTF), charged with monitoring the city’s commitments towards the area’s 2021 rezoning, recently published a report on the status of several agreements. The commitments were created by Councilmember Brad Lander and Community Board Six as a way to soften the impact of forcibly transforming the mixed-use neighborhood from being somewhat like Red Hook into much

Court Street redesign was justified by an anecdotal survey

In the battle of Court Street, common arguments around the thoroughfare in its former and current conditions include double parking, traffic safety concerns, deliveries and modes of access to the corridor. We were able to obtain a copy of the survey commissioned by Mayor Adams. The survey was part of a report issued by the Deptartment of Transportation. The 81-page

Red Hook- Star Revue

FREE
VIEW