One of the best cinema publications out there is Cashiers du Cinema. No, no – not the magazine that gave us Jean-Luc Godard, Francois Truffaut, and the French New Wave. That’s Cahiers du Cinema. But the confusion is understandable, at least at a passing glance. Both Cashiers and ‘60s-era Cahiers are similar formats and designs, square-shaped with yellow-bordered covers framing […]
Author: Dante Ciampaglia
Film Review: “Obex” is the Surreal “Tron” Clone David Lynch Never Directed
Nostalgia slop, from AI-generated trash to IP-leveraging franchise flicks, is belched out so regularly our culture practically runs on the stuff. From the outside, Obex, Albert Birney’s lo-fi, black-and-white ‘80s-set 90-minute valentine to pre-Internet culture, might be mistaken for more of the same, albeit in an indie vein, especially with a press pitch that insists the film is “inspired by Mario, […]
“Northern Lights” — a Lost Classic of American Independent Cinema — Finally Returns, by Dante A. Ciampaglia
Cinema is a lattice of miracles. Consider Northern Lights, a 1978 black-and-white film about a 1916 labor movement in North Dakota made for roughly $300,000 by John Hanson and Rob Nilsson. It’s a small miracle the directors raised the money for a pro-union period piece; that they found a group of (mostly) non-professional actors to commit themselves to a multi-year […]
FILM: Director Carson Lund Breaks Down the Gently Brilliant “Eephus”, by Dante A. Ciampaglia
“Baseball isn’t statistics,” legendary New York sports columnist Jimmy Cannon once wrote. “Baseball is DiMaggio rounding second.” I wonder if Tim Bassett, second baseman for Adler’s Paints, had that in mind when he quipped, decades later, “Is there anything more beautiful than the sun setting on a fat man stealing second base?” It’s entirely possible. Bassett, like his Adler’s teammates […]
Film: “Union” documents SI union organizers vs. Amazon, by Dante A. Ciampaglia
Our tech-dominated society is generous with its glimpses of dystopia. But there’s something especially chilling about the captive audience meetings in the documentary Union, which screened at the New York Film Festival and is currently playing at IFC Center. Chronicling the fight of the Amazon Labor Union (ALU), led by Chris Smalls, to organize the Amazon fulfillment warehouse in Staten […]
Film: “Union” documents SI union organizers vs. Amazon, by Dante A. Ciampaglia
Our tech-dominated society is generous with its glimpses of dystopia. But there’s something especially chilling about the captive audience meetings in the documentary Union, which screened at the New York Film Festival and is currently playing at IFC Center. Chronicling the fight of the Amazon Labor Union (ALU), led by Chris Smalls, to organize the Amazon fulfillment warehouse in Staten […]
Red Hook Community Cinema Expands to Multi-Day Film Festival, by Dante A. Ciampaglia
Red Hook is long overdue for its close-up. And this month, it gets one. Running November 1-10, the 2nd Annual Red Hook Community Cinema film festival showcases 25 films made in, about, or that feature the neighborhood. The series opens Friday, November 1 with Isaac Dell’s Boys at Twenty at 7 p.m., followed by a costume party at 9. Like […]
Red Hook Community Cinema Expands to Multi-Day Film Festival, by Dante A. Ciampaglia
Red Hook is long overdue for its close-up. And this month, it gets one. Running November 1-10, the 2nd Annual Red Hook Community Cinema film festival showcases 25 films made in, about, or that feature the neighborhood. The series opens Friday, November 1 with Isaac Dell’s Boys at Twenty at 7 pm, followed by a costume party at 9. Like […]
Dispatch from the New York Film Festival: A Disorienting Trip Into Portugal’s Past a Highlight of Currents Lineup, by Dante A. Ciampaglia
The 62nd New York Film Festival kicked off September 27 with Nickel Boys, RaMell Ross’ adaptation of Colson Whitehead’s Pulitzer Prize-winning 2019 novel. What followed on the main slate was one heavy hitter after another: U.S. premieres of The Room Next Door, Spanish auteur Pedro Almodóvar’s latest, Brady Corbet’s Oscar frontrunner The Brutalist, Paul Schrader’s Oh, Canada, and Hard Truths, […]
The Return of “The Spook Who Sat By the Door,” the Revolution That Could Not Be Censored, by Dante A. Ciampaglia
There’s an alternate universe where, after the 1973 release of The Spook Who Sat By the Door, director Ivan Dixon would have worked regularly in studio movies rather than be relegated to episodic TV journeyman. But that’s a universe where The Spook Who Sat By the Door — a singular movie about the CIA’s first Black operative, hired as token […]
“The Bat Woman” is a pure pleasure camp antidote to grimdark superheroes, by Dante A. Ciampaglia
There are some movies that are such dumb fun they’re impervious to criticism. In fact, scratching too hard at them — tugging on this loose end or poking at that plot hole — does yourself a disservice more than it does the film. Why break the spell? Batman: The Movie (1966) is one such flick, in all of its “Some […]
Film: Canonizing the Ordinary and Fantastical of “Chronicles of a Wandering Saint”, by Dante A. Ciampaglia
There is nothing the least bit remarkable about Rita, the protagonist of Chronicles of a Wandering Saint. She lives in a desperately rural Argentinian town. Her job, as a cleaning lady in the desperately old church, is, like, her marriage, desperately mundane. As if to prove that cameras do capture souls, her Facebook profile photos are either underlit smears or […]
Canonizing the Ordinary and Fantastical of “Chronicles of a Wandering Saint”, by Dante A. Ciampaglia
There is nothing the least bit remarkable about Rita, the protagonist of Chronicles of a Wandering Saint. She lives in a desperately rural Argentinian town. Her job, as a cleaning lady in the desperately old church, is, like, her marriage, desperately mundane. As if to prove that cameras do capture souls, her Facebook profile photos are either underlit smears or […]
