Jason Moran was the subject of my first column, some five and half years ago. The pianist (and artist, teacher, etc.) had a fascinating and frustrating exhibit/installation at the Whitney, a great honor for anyone, let alone a musician, but an ungainly fit between the fleeting nature of music and the collection of static objects that define a museum. As […]

There’s some historically important and fabulous jazz available again this month on vinyl and CD, and it might be a surprise that my feelings about that are mixed. On January 30, Sony will be re-releasing the Miles Davis – The Complete Live at the Plugged Nickel 1965, a 10LP/8CD box set that has every note from every recorded set the […]

There’s some historically important and fabulous jazz available again this month on vinyl and CD, and it might be a surprise that my feelings about that are mixed. On January 30, Sony will be re-releasing the Miles Davis – The Complete Live at the Plugged Nickel 1965, a 10LP/8CD box set that has every note from every recorded set the […]

There’s something I’ve said frequently while writing about classical music for the last couple decades, which is that there’s no such thing as difficult music. Sure, there’s some music that may have less general appeal than others, but that doesn’t make it difficult. What “difficult” means in music is that it is unfamiliar in some way, from an unusual style—like […]

Forty-something years of making it up, on the spot, in front of an audience. That’s Keith Jarrett’s legacy of improvised solo piano concerts on ECM. It’s an enormous and important body of musical work, a break—within the mainstream—with be-bop and hard bop conventions and the creation of an entire new idea of modern piano jazz. The first step was the […]

The first half year of these columns has been about how jazz fits into and reflects contemporary American society, because the music is fundamentally and immediately about this country and expresses the ideas and means for how we could be. It is music that, collectively, expresses a set of value about America. And oh yeah, it’s just fantastic for the […]

People frequently (that is, once every few years) stop me on the street and ask me, “George” (no one really knows who I am), “should I be listening to jazz?” My first response is always, “absolutely!” Then, when they ask me why, this is what I tell them (again almost never happens, but it’s good to have a handy quasi-script […]

First, the good news: the Library of Congress last month added new albums to its National Recording Registry, which preserves the most important and salient examples of American audio culture. One of the new entries is Miles Davis’ monumental, complex, darkly thrilling Bitches Brew. It’s a testament to the brilliance and possibilities of this country that it produced Miles and […]