Vocalist Priya Carlberg formed Birthday Ass five years ago when she was a student at the New England Conservatory, but the band members’ backgrounds in jazz and improvisation shouldn’t be cause for concern. The sextet has sufficient attitude to back its name, as evidenced by the Bandcamp bundles for their new album which include purple vinyl and band logo undergarments […]
Author: Kurt Gottschalk
A Brief Nightmare with Alpha Maid, by Kurt Gottschalk
I’m not sure where Alpha Maid comes from, but it seems like a scary place. Reports say South London, although Godard’s Alphaville seems more likely. I might also have guessed Bristol, where producer/rapper Tricky comes from, but that might be an overgeneralization. Like Tricky, though, or at least Tricky at his best, Alpha Maid make disturbing mixes, putting unadorned vocals […]
No Waves from Ohio | Stella Research Committee packs a brutal throwback punch, by Kurt Gottschalk
Next month will mark the 40th anniversary of the Exploited’s first record, on which they declared (in title and opening track) that “punk’s not dead.” Even at the time it felt a bit defensive but the song coined a slogan that has continually been graffiti’d ever since. Forty years is almost as long as the lives of Darby Crash and […]
1983 … (A Melvins They Should Turn to Be) Gluey Porches, Hostile Takeovers and Working With God
I don’t know what you were doing in 1983 but I know what the Melvins weren’t doing is making this record. “Melvins 1983” is whispered like it’s some kind of incantation, like it’s the name of a beast with no name, like it’s something you’d better be careful not to wish for, like it’s a monkey’s paw keychain. Or at […]
In the Image of Rock Gods by Kurt Gottschalk
Doug Brod’s They Just Seem a Little Weird examines KISS, Aerosmith, Cheap Trick, Starz and the making of ‘70s rock megastardom. Eric and I didn’t have much to go on, but we didn’t need much, either. We were desperate tweens ready to rock. It didn’t matter that we didn’t know the band that was playing. They had the look and […]
Five Years Hence (David Bowie remixed and remembered), by Kurt Gottschalk
When my first sister told me that her adolescent son had discovered David Bowie, something powerful struck me. My nephew, I realized, had joined the legion of outsiders. He had recognized (on some level) that the world was a complicated place, that in the inescapable realms of majority rule, you usually don’t get to choose to be on the winning […]
Liturgy’s Rite of Passage and Metal’s New Maturity, by Kurt Gottschalk
The surprising thing about New York black metal band Liturgy in 2020 isn’t frontperson Hunter Hunt-Hendrix coming out as transgender. It might be interesting. It no doubt informs her obscure-anyway songwriting. And she’s to be commended for the forthright and thoughtful coming out video she posted to her YouTube channel in August. But it’s not the most exciting thing about […]
Reynols Is the Most Important Band in the History of Rock, by Kurt Gottschalk
The Argentinian band Reynols wasn’t widely known even before they disappeared for some 17 years. They just don’t do the kind of music that gets a band known. That might change with the release of the new Gona Rubian Ranesa, arguably the most musical album they’ve put out, but really it won’t. Which is a shame, because Reynols represent everything […]
Negativland’s Brave New Negativworld, by Kurt Gottschalk
Negativland has been successfully prophesying doom for 40 years now, their secret all along being using society’s words against itself. Pioneers in sampling and culture jamming, the outfit is perhaps most notorious for a petty, prolonged and hilarious copyright battle with U2, but they’ve had a longer, more varied and for more subversive career than simply lambasting Ireland’s most famously […]
USA Nails Goes Full Stop, by Kurt Gottschalk
The punk ethos was designed to implode, and implode it did (or should have, anyway). Punk was a fiery rejection of the status quo. Once it became status quo, it was time to go. But like a dinner guest you don’t know is dead, punk refused to leave. The problem came with confusing the idea that talent and technique weren’t […]