Author: Kurt Gottschalk

Music

In the Image of Rock Gods by Kurt Gottschalk

Doug Brod’s They Just Seem a Little Weird examines KISS, Aerosmith, Cheap Trick, Starz and the making of ‘70s rock megastardom. Eric and I didn’t have much to go on, but we didn’t need much, either. We were desperate tweens ready to rock. It didn’t matter that we didn’t know the band that was playing. They had the look and […]

Music

Five Years Hence (David Bowie remixed and remembered), by Kurt Gottschalk

When my first sister told me that her adolescent son had discovered David Bowie, something powerful struck me. My nephew, I realized, had joined the legion of outsiders. He had recognized (on some level) that the world was a complicated place, that in the inescapable realms of majority rule, you usually don’t get to choose to be on the winning […]

Music

Liturgy’s Rite of Passage and Metal’s New Maturity, by Kurt Gottschalk

The surprising thing about New York black metal band Liturgy in 2020 isn’t frontperson Hunter Hunt-Hendrix coming out as transgender. It might be interesting. It no doubt informs her obscure-anyway songwriting. And she’s to be commended for the forthright and thoughtful coming out video she posted to her YouTube channel in August. But it’s not the most exciting thing about […]

Music

Reynols Is the Most Important Band in the History of Rock, by Kurt Gottschalk

The Argentinian band Reynols wasn’t widely known even before they disappeared for some 17 years. They just don’t do the kind of music that gets a band known. That might change with the release of the new Gona Rubian Ranesa, arguably the most musical album they’ve put out, but really it won’t. Which is a shame, because Reynols represent everything […]

Music

Negativland’s Brave New Negativworld, by Kurt Gottschalk

Negativland has been successfully prophesying doom for 40 years now, their secret all along being using society’s words against itself. Pioneers in sampling and culture jamming, the outfit is perhaps most notorious for a petty, prolonged and hilarious copyright battle with U2, but they’ve had a longer, more varied and for more subversive career than simply lambasting Ireland’s most famously […]

Music

USA Nails Goes Full Stop, by Kurt Gottschalk

The punk ethos was designed to implode, and implode it did (or should have, anyway). Punk was a fiery rejection of the status quo. Once it became status quo, it was time to go. But like a dinner guest you don’t know is dead, punk refused to leave. The problem came with confusing the idea that talent and technique weren’t […]

Music

New Themes for Ceramic Dog Days, by Kurt Gottschalk

Marc Ribot’s punkjam trio Ceramic Dog had been playing low key gigs around town for a long time before really finding their voice on their second album, 2013’s Your Turn. That’s when they started to get mad. The sarcastic AF song was about musicians gleefully accepting social media presence over money for their work “Masters of the Internet” was both […]

Music

Magik and Isolation in 2020, by Kurt Gottschalk

Back in July, Magik Markers quietly released a four-song digital EP, the first new music they’ve put out in a half dozen years. It was subdued, a little psychedelic, with a title suggesting they’ve been out of our ugly loop for a while. (Magik Markers has always been good at naming). In October, the band followed Isolation From Exterior Time: […]

Music

Deerhoof’s Mixtape of the Mind, by Kurt Gottschalk

Deerhoof’s set at last year’s Time:Spans festival was a surprise in even in the midst of 11 days of unpredictableness. The festival has all the earmarks of experimentalism; it’s organized by the The Earle Brown Music Foundation Charitable Trust, named for a contemporary of John Cage and Morton Feldman, and held primarily at the Dimenna Center for Classical Music. Deerhoof […]